“Film socialisme: End of a Century,” Reverse Shot, December 19, 2025
“Cracked Actor: Bae Doona,” Metrograph Journal, December 5, 2025
“How Impact Partners Reshaped Documentary Financing,” Documentary Magazine (Winter 2025/26), in print
“Hong Sang-soo’s By the Stream,” The Brooklyn Rail, August 5, 2025
“To Fight Against Historical Amnesia: Park Chan-wook’s Lady Vengeance,” In Review Online, July 25, 2025
“Fake Plastic Summer Memories,” Dreamworldgirl Zine, July 25, 2025.
“Making a Production: PINKS,” Documentary Magazine (Summer 2025), In print
“Bong Joon-ho in Hollywood, and Outer Space,” Mubi Notebook, May 12, 2025
“Korean Cinema in the Times of Martial Law,” Minor Literature[s], May 6, 2025
“Love Hotel review,” Metrograph Journal, March 27, 2025
“Interview with Lee Chang-dong | Lee Chang-dong’s ‘Snowy Day and Other Stories’ uses the quotidian to express the totality of life,” A Rabbit’s Foot, March 13, 2025
“Word Made Flesh: Resurrection of the Little Match Girl,” Reverse Shot, Feb 14, 2025
“A Place Where a Week Lasts for Ten Days: On Kim Ayoung’s ‘Delivery Dancer’ Series,” Ultra Dogme, Jan 31, 2025
“A Traveler’s Needs review | How to Do Things with Words,” Film Comment, Nov 18, 2024
“[서신교환: 한겨울]” Haepari, September 26, 2024
“Faces in the Crowd: “Comfort Women” on Film,” Mubi Notebook, April 25, 2024
“The Subtlety of Language, According to Hong Sang-soo,” Seen Journal, Nov 16, 2023
“Issey Miyake Was Armor For My Changing Body,” The Cut, Nov 7, 2023
“Park Chan-wook’s Decision to Leave,” The Brooklyn Rail (Nov 2022), In print
“Hong Sang-soo’s Homecoming,” Mubi Notebook, May 9, 2022
“Hill of Freedom + The Day After,” Screen Slate, April 16, 2022
